This talk by French Screenwriter and Film Maker, Celine Sciamma, has challenged me in two ways.
- It has challenged my already challenged mind regarding the received ‘this is the way you plot a story’.
- It has challenged me to think even more deeply about what the focus of my stories are.
For Sciamma there is a three stage process for her writing. She may not title them exactly as I am about to list them, but this is my translation of them:
- Identify your Global Desires for the film/story
- Place the Local Scenes
- Return to the Global View and ensure that each of the Local Scenes are in keeping with your Global Desires.
Your Global Desires for your story encompasses the whole form and key elements of your narrative. There may be a number: It is a love story; it has a non-typical viewpoint; its is artistically driven and not obstacle driven in plot.
Your Local Scenes are the actual scenes in the story and should be split into two lists:
1.The Desired List – This is the parts of scenes, the snatches of dialogue, the setting of the story, random ideas of plot; in fact they are anything which inspired you in the idea of the story to begin with.
2.The Needed List – These are the scenes you need to have in your story in order to tell it. It is the plot, the characters, the action, etc.
The aim here is to take all of the items in your second list and work them into the first list. All that should remain is your list of Desired scenes.
Focus on what is important in each scene. Is it the dialogue? Is it the detail of setting? Is it character? Is it the action between characters?
Your final Global View for your story now checks that your Desired list of scenes is telling the elements you specified in the original Global Desires list.
What isn’t necessary needs to be cut or altered so it is necessary.
- You may not need lots of background detail in your narrative.
- You may not need to follow the conventions of your time period or the genre of your story.
Conflict and Obstacles – the usual cornerstones of plotting – may not have to be the focus of your story telling.
If you are telling a love story your key characters may not have to have large obstacles or have conflict in their relationship. If your Global Desire is to tell of the love between two characters then focus on the love.
Take a story you are currently working on, or a new idea you have and apply Sciamma’s three stages of planning/plotting to it.
I expect your view of your story to change. Mine has.